An Orchestra of Minorities

£8.99

Umuahia, Nigeria. Chinonso, a young poultry farmer, sees a woman attempting to jump to her death from a highway bridge. Horrified by her recklessness, Chinonso joins her on the roadside and hurls two of his most prized chickens into the water below to demonstrate the severity of the fall. The woman, Ndali, is moved by his sacrifice. Bonded by this strange night on the bridge, Chinonso and Ndali fall in love. But Ndali is from a wealthy family, and when they officially object to the union because he is uneducated, Chinonso sells most of his possessions to attend a small college in Cyprus. Once in Cyprus, he discovers that all is not what it seems. Furious at a world which continues to relegate him to the sidelines, Chinonso gets further and further away from his dream, from Ndali and the place he called home.

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SHORTLISTED FOR THE BOOKER PRIZE 2019

From the author of the Booker-shortlisted novel, The Fishermen

FINANCIAL TIMES BEST BOOKS OF 2019

‘Obioma is truly the heir to Chinua Achebe’ New York Times

‘A major new African writer’
Salman Rushdie

‘A profoundly humane epic love story’ Booker Prize Judges 2019

A young farmer named Chinonso prevents a woman from falling to her death. Bonded by this strange night on the bridge, he and Ndali fall in love, but it is a mismatch according to her family who reject him because of his lowly status. Is it love or madness that makes Chinonso think he can change his destiny?

Set across Nigeria and Cyprus, An Orchestra of Minorities, written in the mythic style of the Igbo tradition, weaves a heart-wrenching tale about fate versus free will.
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‘A spectacular artistic leap’ Guardian


‘Brilliantly original’ The Economist


‘A remarkable talent’ Independent


‘Few contemporary novels achieve the seductive panache of Obioma’s heightened language, with its mixture of English, Igbo and colourful African-English phrases, and the startling clarity of the dialogue. The story is extreme; yet its theme is a bid for mercy for that most fragile of creatures – a human’ Eileen Battersby, Guardian